Showing posts with label Brief 15 — Yearbook. Show all posts

OUGD603: Brief 15 — Yearbook - Final Boards / Evaluation

Below is an ISSUU document, containing my final boards for the Yearbook: 




                                                                                                                                                             

Evaluation


This brief was enjoyable mainly because it gave me the chance to collaborate with other designers in the class that I had not worked with before. As a group we get on really well, which makes the whole process much easier.

A huge motivational factor of this brief is that it’s live, and our final product will be printed at mass. I love the idea that people will take away books we have designed and treasure them, maybe even frame one of the pages with a full image on.

Although disheartened that we did not win our proposal for the BAGD Yearbook, the second best option was Photography. This is because they supply the book with such beautiful images, our design input is mostly transparent.  Meeting up with Photography once a week has worked well to keep on top of progress, and the group of students that are part of the Photography team are fairly organised.


One major issue we have had is that deadlines were set for students to submit images and text, which has not been kept to whatsoever. Of course this was bound to happen, and is also something hard to place a cap on, as it would seem harsh to not allow someone to be in their own Yearbook.  By OUGD603 submission, the publication will be nowhere near finished. However the deadlines for the book to be sent to print are quite some time away, and I am confident the publication will be finished by then.

Thursday, 21 May 2015 by Unknown
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OUGD603: Brief 15 — Yearbook - Print Tests & Ideas - Photography Meeting 4

After deciding on a size and format for the publication, we showed the students some print outs of possible layouts, typefaces and designs. 




The ideas I first considered are in the ISSUU document below: 



The idea that was most successful was then developed over a variety of spreads, which I brought to the meeting: 



Feedback: 

They really liked the ideas I had developed, especially the dividers to break up the text from the imagery. They were also keen on the typeface. 

Unfortunately due to waiting on more content for the Yearbook, the book itself won't be finished for the OUGD603 submission. However, I feel confident that this design for each spread will work well, and is close to being complete. 


Thursday, 7 May 2015 by Unknown
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OUGD603: Brief 15 — Yearbook - Decided Format - Photography Meeting 3

After taking the following two books to a meeting with Photography, several decisions have been made. 

I Like It. What Is It? - Anthony Burrill

This book is at b4 size, and has a soft, perfect bind that allows prints to be pulled out. The Photography students loved the idea of a collection of prints, and this is essentially a combination of a book and a set of prints. 





5 Years - Colophon Foundry

After showing the Photography students this book, they were keen to include the small booklet at the start of publication, as a preface and contents section. I love the idea of including this, as it's something I have only ever seen in this book before. 





Friday, 10 April 2015 by Unknown
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OUGD603: Brief 15 — Yearbook - Photography Meeting 2

Today we had our second meeting with Photography. Below is my scanned in notes and some key points. 


Key Points
- There are 33 students in photography. 
- 500 books would be a good number. 
- After showing them a certain sized newspaper, they have agreed something larger format could be good. 
- Consider a non- publication format, but grouped together as separate sheets. Tear out? A folder? 
For next week: Come up with some ideas for individual sheets that come together somehow, and discuss this with Jason from Evolution print. 


Thursday, 19 March 2015 by Unknown
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OUGD603: Brief 15 — Yearbook - Evolution Print Meeting

Today we met up with Jason from Evolution print, so he could give us some info, as well as answering our questions. My notes are below as well as a summary. 


Key Points
- They can do coptic stitching, but it is obviously more expensive than perfect bound. 
- Minimum of 300 books for litho printing. Litho is much better quality but start up costs are expensive. It is also cheaper in the long run. 
- Budget for yearbooks- There isn't a set budget for each yearbook, but an oversaw budget. 
- To get an idea of price, Textiles last year- Perfect bound, uncoated 300gsm cover, 120gsm pages (96 of them) x 500 was £3000. 
- B sizes are also printable. 
- Printing 64 or 96 pages is cheaper than others due to number of sheets used. 
- Can print up to B1 size. 
- Danny will email us deadlines.m

Wednesday, 18 March 2015 by Unknown
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OUGD603: Brief 15 — Yearbook - Photography Concept Research

In order to come up with some concepts, I have researched into Photography quotes to summarise what photography is about:

http://petapixel.com/2014/03/11/50-photography-quotes-inspire/

Alfred Eisenstaedt
1898 – 1995

Eisenstaedt was a German photojournalist most famous for his much celebrated photograph of V-J Day in Times Square, New York.
1. “It is more important to click with people than to click the shutter.”

Alfred Stieglitz
1864 – 1946

Stieglitz was an American photographer internationally recognised as being a pioneer of modern photography.
2. “In photography there is a reality so subtle that it becomes more real than reality.”
3. “Wherever there is light, one can photograph.”

Anne Geddes
1956

Geddes is known for her distinctive, stylised photographs of babies, which often incorporate floral imagery.
4. “The best images are the ones that retain their strength and impact over the years, regardless of the number of times they are viewed.”
5. “I think that emotional content is an image’s most important element, regardless of the photographic technique. Much of the work I see these days lacks the emotional impact to draw a reaction from viewers, or remain in their hearts.”

Annie Leibovitz
1949

Leibovitz is an American portrait photographer who made a name for herself in her ten-year role as chief photographer for Rolling Stone magazine.
6. “The camera makes you forget you’re there. It’s not like you are hiding but you forget, you are just looking so much.”

Ansel Adams
1902 – 1984

Adams is a photographer who needs no introduction! He is widely recognised as being one of the greatest landscape photographers, and greatest photographers, ever known.
7. “You don’t take a photograph, you make it.”
8. “Twelve significant photographs in any one year is a good crop.”
9. “There are always two people in every picture: the photographer and the viewer.”
10. “A good photograph is knowing where to stand.”

August Sander
1876 – 1964

Sander – a German portrait and documentary photographer – has been described as ‘the most important German photographer of the twentieth century.’
11. “In photography there are no shadows that cannot be illuminated.”

Berenice Abbott
1898 – 1991

American photographer Abbott, had a career spanning more than 60 years. Her black and white images of New York provide an extensive record of the city’s architecture.
12. “Photography helps people to see.”
13. “Photography can only represent the present. Once photographed, the subject becomes part of the past.”

Burk Uzzle
1938

Uzzle is an American documentary photographer. He still holds the title of the youngest photographer ever to be hired by Life Magazine.
14. “Photography is a love affair with life.”

Charlie Waite
1949

Waite is an award-winning English landscape photographer. His images have a painterly impression in their use of light and shade.
15. “A landscape image cuts across all political and national boundaries, it transcends the constraints of language and culture.”

David DuChemin

DuChemin is a humanitarian, nature, and adventure photographer. His work takes him to far-flung locations across the globe.
16. “Photographing a culture in the here and now often means photographing the intersection of the present with the past.”

Diane Arbus
1923 – 1971

Arbus was a documentary photographer famed for her images of marginalised peoples, particularly circus performers.
17. “A photograph is a secret about a secret. The more it tells you the less you know.”

Don McCullin
1935

McCullin is a documentary photographer known for his war images, and images of urban and impoverished lifestyles.
18. “Photography for me is not looking, it’s feeling. If you can’t feel what you’re looking at, then you’re never going to get others to feel anything when they look at your pictures.”

Dorothea Lange
1895 – 1965

Lange was a photojournalist made famous by her photographs taken during the Depression-era in the United States.
19. “Photography takes an instant out of time, altering life by holding it still.
20. “One should really use the camera as though tomorrow you’d be stricken blind.”
21. “A camera is a tool for learning how to see without a camera.”
22. “To know ahead of time what you’re looking for means you’re then only photographing your own preconceptions, which is very limiting, and often false.”

Edward Steichen
1879 – 1973

Steichen is known for producing the first fashion photographs ever published. The images of gowns were taken for Art et Décoration magazine in 1911.
23. “A portrait is not made in the camera but on either side of it.”

Edward Weston
1886 – 1958

Weston is famed as being one of the most influential American photographers of the twentieth century. He focused mainly on photographing landscape and lifestyle in the west of the US.
24. “To consult the rules of composition before making a picture is a little like consulting the law of gravitation before going for a walk.”

Ellen Von Unwerth
1954

Unwerth is known for her distinctively erotic style of fashion photography. She has shot for a number of high-profile fashion magazines, such as Vogue.
25. “I like to photograph anyone before they know what their best angles are.”

Elliott Erwitt
1928

Erwitt is a master of capturing ‘The Decisive Moment’; his street photography is known for it’s heart-warming charm.
26. “To me, photography is an art of observation. It’s about finding something interesting in an ordinary place… I’ve found it has little to do with the things you see and everything to do with the way you see them.”
27. “It’s about reacting to what you see, hopefully without preconception. You can find pictures anywhere. It’s simply a matter of noticing things and organising them. You just have to care about what’s around you and have a concern with humanity and the human comedy.”
28. “The whole point of taking pictures is so that you don’t have to explain things with words.”

Ernst Haas
1921 – 1986

Photojournalist Haas was one of the first photographers to use colour in his work. His impressive career included becoming President of Magnum Photos, and publishing one of the most successful photography books ever.
29. “I am not interested in shooting new things – I am interested to see things new.
30. “There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.”

Eve Arnold
1912 – 2012

Arnold was an award-winning photojournalist and member of Magnum Photos and published twelve photographic books in total.
31. “If a photographer cares about the people before the lens and is compassionate, much is given. It is the photographer, not the camera, that is the instrument.”

Helmut Newton
1920 – 2004

Newton’s sexually charged fashion photography remains influential to this day.
32. “My job as a portrait photographer is to seduce, amuse and entertain.”

Henri Cartier-Bresson
1908 – 2004

Cartier-Bresson is widely regarded as one of the greatest photographers of all time. He is known as the father of photojournalism, and coined the term ‘The Decisive Moment’.
33. “Your first 10,000 photographs are your worst.”
34. “The photograph itself doesn’t interest me. I want only to capture a minute part of reality.”
35. “To me, photography is the simultaneous recognition in a fraction of a second of the significance of an event.”
36. “To photograph is to hold one’s breath, when all faculties converge to capture fleeting reality. It’s at that precise moment that mastering an image becomes a great physical and intellectual joy.”

Imogen Cunningham
1883 – 1976

Cunningham’s work was particularly forward-thinking and experimental for its time. Her extensive work included shots of flowers, portraits and nudes.
37. “Which of my photographs is my favourite? The one I’m going to take tomorrow.”

Joe McNally
1952

McNally is an internationally acclaimed photographer known for his work with National Geographic Society, and for his collection of photographs showing Ground Zero in New York in the wake of 9/11.
38. “Don’t pack up your camera until you’ve left the location.”

Man Ray
1890 – 1976

Ray was a fashion and portrait photographer who was active in the Surrealist art movement. He’s best known for his avant-garde photography.
39. “Of course, there will always be those who look only at technique, who ask ‘how’, while others of a more curious nature will ask ‘why’. Personally, I have always preferred inspiration to information.”

Martin Parr
1952

Parr’s documentary photography captures the humour of every day British life. He is aptly described as a ‘chronicler of our age’.
40. “With photography, I like to create a fiction out of reality. I try and do this by taking society’s natural prejudice and giving this a twist.”

Paul Caponigro
1932

Caponigro is known as one of American’s leading landscape photographers, although he also photographs still life.
41. “It’s one thing to make a picture of what a person looks like, it’s another thing to make a portrait of who they are.”

Philip Jones Griffiths
1936 – 2008

Jones Griffiths was a Welsh photojournalist. He is famed for his coverage of the Vietnam war.
42. “… we are there with our cameras to record reality. Once we start modifying that which exists, we are robbing photography of its most valuable attribute.”

Rankin
1966

Rankin is an English portrait and fashion photographer whose work has been widely shown in popular media.
43. “There’s a time when people say your work is revolutionary, but you have to keep being revolutionary. I can’t keep shooting pop stars all my life. You have to keep changing, keep pushing yourself, looking for the new, the unusual.

Robert Capa
1913 – 1954

Capa was a Hungarian photojournalist known for his war photography. He is perhaps best known for photographing key events during World War II, including the D-Day landings.
44. “If your pictures aren’t good enough, you aren’t close enough.”
45. “The pictures are there, and you just take them.”

Robert Frank
1924

Frank is best known for his book The Americans, which was very influential, providing an outsider’s view of American society.
46. “The eye should learn to listen before it looks.”

Robert Mapplethorpe
1946 – 1989

Mapplethorpe was an American photographer who became known for his large-scale photographic images. His series of homoerotic portraits were subject to much controversy.
47. “The more pictures you see, the better you are as a photographer.”

Sally Mann
1951

Mann is a renowned American photographer. Her abstract, black and white photographs cover varied subjects including landscapes and portraits.
48. “Photographs open doors into the past, but they also allow a look into the future.”

Tim Walker
1970

Walker is a British fashion photographer whose work has been included in such highly-acclaimed titles as Vogue.
49. “Only photograph what you love.”

W Eugene Smith
1918 – 1978

Smith is best known for his hard-hitting photographs of World War II.
50. “Photography is a small voice, at best, but sometimes one photograph, or a group of them, can lure our sense of awareness.”
                                                                                                                                                
Summarising Quotes

Light
Wherever there is light, one can photograph. 
In photography there are no shadows that cannot be illuminated.

Timeless / Capturing Time
The best images are the ones that retain their strength and impact over the years.
Photography can only represent the present. Once photographed, the subject becomes part of the past.
altering life by holding it still.

An Emotional Response
 Emotional content is an image’s most important element
Photography for me is not looking, it’s feeling. 

Interpretation of Reality
 Photography helps people to see.
To capture a minute part of reality.
Looking for the new, the unusual.
I am interested to see things new.
The eye should learn to listen before it looks.
The more pictures you see, the better you are as a photographer.
The pictures are there, and you just take them.
Reality so subtle that it becomes more real than reality.

Misc
To click with people than to click the shutter.
You don’t take a photograph, you make it.
Photography is a love affair with life.








Tuesday, 17 March 2015 by Unknown
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OUGD603: Brief 15 — Yearbook - Book Research

Ewan and I went to the library to see if we could find any examples to take to the next meeting with photography. Here are some images of books we managed to find: 

As you can see, coptic stitching allows images to lie flat, perfect for double pages spreads with imagery. 




Photography were also interested in using both matt and gloss stock. By using coptic stitch, this can easily be grouped and utilised. 





Another example of a coptic stitched book with matt and gloss pages, used successfully: 





Monday, 16 March 2015 by Unknown
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